
Brookeva. LA. 2014. Polaroid 1986.
(Styled by: Julie, HMU by: Lindsay McAllister)
Derek Woods / Website / Instagram / Etsy

Brookeva. LA. 2014. Polaroid 1986.
(Styled by: Julie, HMU by: Lindsay McAllister)
Derek Woods / Website / Instagram / Etsy

Verronica Divine. Ace Hotel Portland. 2015. Sony A7.

3 Sixty 5 Photography: 071 Los Angeles Sunset.

3 Sixty 5 Photography: 070 Hollywood Sunset.
“What makes photography a strange invention is that its primary raw materials are light and time.” – John Berger

3 Sixty 5 Photography: 069 Grifith Observatory.

3 Sixty 5 Photography: 068 Julie. Los Feliz.
Typically not something I enjoy in photography, the random chances with the equipment of photography, but the Sprocket Rocket sometimes creates these really interesting “flaws” that turn a photo into something unique and more than it was before.
You can see there are light leaks that came through the sprocket hols, almost creating a trailing effect along the lower sprockets. To me, it creates this odd dream like a effect, like a flash was popped in a fluid ocean of dream and this was the result. Like I said, I’m not the kind of photographer that would really use expired film, flawed cameras or inconsistent technology, and hope for the magic of happenstance; but with the Sprocket Rocket, I the unique flaws it brings to an image are contained enough that they can be relied on to add rather than distract. Its one of those things that makes such a simple camera a great camera.